1. thehystericalsociety:

    Boogeymen - part of a series of eerie stereoviews - dated 1923 (Via)

    (via theremina)

     

  2. letsbuildahome-fr:

    Hong Kong by usrdck

    (Source: ryanpanos)

     


  3. Remorse

    The horse’s name was Remorse.
    There were people said, “Gee, what a nag!”
    And they were Edgar Allan Poe bugs and so
    They called him Remorse.
    When he was a gelding
    He flashed his heels to other ponies
    And threw dust in the noses of other ponies
    And won his first race and his second
    And another and another and hardly ever
    Came under the wire behind the other runners.

    And so, Remorse, who is gone, was the hero of a play
    By Henry Blossom, who is now gone.
    What is there to a monicker? Call me anything.
    A nut, a cheese, something that the cat brought in.
    Nick me with any old name.
    Class me up for a fish, a gorilla, a slant head, an
    egg, a ham.
    Only … slam me across the ears sometimes … and
    hunt for a white star
    In my forehead and twist the bang of my forelock
    around it.
    Make a wish for me. Maybe I will light out like a
    streak of wind.

    — Carl Sandburg. 
     

  4. modernismepomplidolien:

    The auditorium of the Bourse du travail de Bobigny, designed by Oscar Niemeyer. 1972.

    (Source: modernismepompidolien)

     

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  6. James Dean photographed jumping between train cars on the set of East of Eden in 1954.

    Larry Swindel says, “Kazan told me he was first attracted by Dean’s wonderful use of a very athletic body and that body-acting is a natural faculty that can’t be taught.” Isabel Draesemer, Dean’s first agent, had noticed the same thing: “To me,” she says, “his sex appeal lay in his mouth and below - the use of his body.”

    (Source: jamesdeandaily, via jpnoir)

     

  7. Walker Evans. 

     

  8. The five senses.

    (Source: tainted-dreamers, via loveyourchaos)

     

  9. letsbuildahome-fr:

    703 Hall St. (by gregodonnell)

     


  10. In the day-to-day trenches of adult life, there is no such thing as atheism. There is no such thing as not worshipping. Everybody worships. The only choice we get is what to worship. And an outstanding reason for choosing some sort of god or spiritual-type thing to worship - be it JC or Allah, be it Yahweh or the Wiccan mother-goddess or the Four Noble Truths or some infrangible set of ethical principles - is that pretty much anything else you worship will eat you alive. If you worship money and things - if they are where you tap real meaning in life - then you will never have enough. Never feel you have enough. It’s the truth. Worship your own body and beauty and sexual allure and you will always feel ugly, and when time and age start showing, you will die a million deaths before they finally plant you. On one level, we all know this stuff already - it’s been codified as myths, proverbs, clichés, bromides, epigrams, parables: the skeleton of every great story. The trick is keeping the truth up front in daily consciousness. Worship power - you will feel weak and afraid, and you will need ever more power over others to keep the fear at bay. Worship your intellect, being seen as smart - you will end up feeling stupid, a fraud, always on the verge of being found out.

    The insidious thing about these forms of worship is not that they’re evil or sinful; it is that they are unconscious. They are default settings. And the world will not discourage you from operating on your default settings, because the world of men and money and power hums along quite nicely on the fuel of fear and contempt and frustration and craving and the worship of self. Our own present culture has harnessed these forces in ways that have yielded extraordinary wealth and comfort and personal freedom. The freedom to be lords of our own tiny skull-sized kingdoms, alone at the centre of all creation. This kind of freedom has much to recommend it. But there are all different kinds of freedom, and the kind that is most precious you will not hear much talked about in the great outside world of winning and achieving and displaying. The really important kind of freedom involves attention, and awareness, and discipline, and effort, and being able truly to care about other people and to sacrifice for them, over and over, in myriad petty little unsexy ways, every day. That is real freedom. The alternative is unconsciousness, the default setting, the “rat race” - the constant gnawing sense of having had and lost some infinite thing.

    I know that this stuff probably doesn’t sound fun and breezy or grandly inspirational. What it is, so far as I can see, is the truth with a whole lot of rhetorical bullshit pared away. Obviously, you can think of it whatever you wish. But please don’t dismiss it as some finger-wagging Dr Laura sermon. None of this is about morality, or religion, or dogma, or big fancy questions of life after death. The capital-T Truth is about life before death. It is about making it to 30, or maybe 50, without wanting to shoot yourself in the head. It is about simple awareness - awareness of what is so real and essential, so hidden in plain sight all around us, that we have to keep reminding ourselves, over and over: “This is water, this is water.”

    — Excerpt from “This is Water” by David Foster Wallace. 
     

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  13. Spent

    Late August morning I go out to cut
    spent and faded hydrangeas—washed
    greens, russets, troubled little auras

    of sky as if these were the very silks
    of Versailles, mottled by rain and ruin
    then half-restored, after all this time…

    When I come back with my handful
    I realize I’ve accidentally locked the door,
    and can’t get back into the house.

    The dining room window’s easiest;
    crawl through beauty bush and spirea,
    push aside some errant maples, take down

    the wood-framed screen, hoist myself up.
    But how, exactly, to clamber across the sill
    and the radiator down to the tile?

    I try bending one leg in, but I don’t fold
    readily; I push myself up so that my waist
    rests against the sill, and lean forward,

    place my hands on the floor and begin to slide
    down into the room, which makes me think
    this was what it was like to be born:

    awkward, too big for the passageway…
    Negotiate, submit?
    When I give myself
    to gravity there I am, inside, no harm,

    the dazzling splotchy flowerheads
    scattered around me on the floor.
    Will leaving the world be the same

    —uncertainty as to how to proceed,
    some discomfort, and suddenly you’re
    —where? I am so involved with this idea

    I forget to unlock the door,
    so when I go to fetch the mail, I’m locked out
    again. Am I at home in this house,

    would I prefer to be out here,
    where I could be almost anyone?
    This time it’s simpler: the window-frame,

    the radiator, my descent. Born twice
    in one day!
    In their silvered jug,
    these bruise-blessed flowers:

    how hard I had to work to bring them
    into this room. When I say spent,
    I don’t mean they have no further coin.

    If there are lives to come, I think
    they might be a littler easier than this one.

    — Mark Doty
     

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